Irina Kruzhilina, Designing Costumes for a 'Dream'

Last November, Kruzhilina started poring over books in the design library and creating story boards before creating 18 costumes.suspender tights xxxlCheap costume jewelry can be a good gift idea to present the hot sxy schoolgirl women of your life on her birthday.Look for decent and ethnic jewelry collection that will further enhance the beauty of your sweetheart. For the pre-filming in March, the costumes were completed and photographed, and the images were then mounted on cardboard so that the puppet making could begin. New York City Ballet principal Sara Mearns' creations called for some serious handwork — a team of craftspeople spent four full days creating the 36 origami flowers that graced one of her costumes.sexy stretch micro dress Marianne Krostyne's Pittsburgh studio proved to be invaluable, as did a draper who made frequent trips to New York and a Virginia company that handled the intricate laser cutting for the skirt that Mearns' Ice Maiden character wore.

In total, a team of 20 had a hand in seeing things through, though Kruzhilina shouldered the bulk of the work. The Russian-born Kruzhilina accented the costumes with hats,onsale school girl sex scarves and other finishing touches she picked up during her trips to her native Russia, Serbia and Eastern Europe.Reached on Shelter Island Tuesday while taking a breather after the show's sold-out three-day run, Kruzhilina said, "It has been a long journey. These are truly couture dresses, not costumes. There was so much hand sewing, hand cutting and hand gluing.Cheap Sexy Cherry Bikini Set on sale We worked for countless hours. I literally worked on the show for half a year. It was worth every second and every little detail."

While getting her master's in fashion design at the Textile University of Moscow, Kruzhilina's professors suggested that her designs were better suited for the stage than the runway. Thankful for the creative freedom that director Doug Fitch, choreographer Karole Armitage and producer-video director Edouard Getaz granted her, Kruzhilina said that her work is a constant collaboration. "I'm never alone," she said. "Costume design and fashion are two different worlds. In a way, that's unfortunate. One thing about theater is it is a very collaborative art."